Team Clermont • Tech • Music PR Firm • Publicity, PR, Radio Promotion, Digital Distribution • Team Clermont Accepts Bitcoin, Ethereum & cryptocurrencies

The Team Clermont Music Player

Enjoy a collection of tracks from artists with whom we are currently working. Open the player below in a new window if you’d like to keep listening as you continue browsing.

Open player in a new window

Close Drawer

The Cropper!

A blog featuring #indie music, news, interviews, & the best darn songs west of Stockholm

Tariq_Telegrams_Team-Clermont_Radio_cover

Tariq

Tariq is a Juno nominated songwriter and recording artist with a music career that spans over two decades. Born in rural Quebec to parents from Pakistan and Fiji, Tariq grew up on a healthy diet of Bollywood soundtracks. Then, in high school, he got his hands on a guitar and started writing songs which sounded more like Cat Stevens and Neil Young than Mohammed Rafi. By the end of the nineties, Tariq had released two full-length albums, Splat, and The Basement Songs. The Basement Songs, which came out on EMI Music Canada, earned him national radio play as well as a Juno nomination for “Best New Solo Artist.”

Into the early aughts, Tariq went on to release more music—two albums and one EP—independently and through small imprints. In 2009, he joined the ranks of the Vancouver based band, Brasstronaut. Since joining, this critically acclaimed act has been putting out music and touring extensively in both Canada and in Europein support of their records.

Tariq’s latest offering is Telegrams, his fifth full-length album and follow up to the 2013 Moonwalker EP. On Telegrams, the songs feel a bit like short stories, hence the title—three-and-a-half minute snippets of fictional lives. A fan of short fiction, Tariq found characters in stories by some of his favourite authors, like Lorrie Moore and Roberto Bolaño, and cast them as leads in his songs. Written in his apartment on an acoustic guitar, the songs were eventually shaped by a band who helped him envision fresh tempos, feels, and arrangements, adding layers of texture and melody. The result is a ten-song album with thoughtful lyrics and singable melodies reminiscent of artists like The Mountain Goats, and John K. Samson.

Sometimes though, those Bollywood soundtracks still play for him somewhere in the background.

Telegraphers:

Sam Davidson: clarinet, EWI (Electronic Wind Instrument), saxophone + musical arrangements
John Walsh: bass
Skye Brooks: drums
JP Carter: trumpet
Jesse Zubot: violin
Micajah Sturgess: french horn
Leah Abramson: background vocals

Radio Contact: Email Nelson Wells & Adam at Team Clermont
Team Clermont Twitter


Twitter:https://twitter.com/Tariqmusiq
Facebook:https://www.facebook.com/tariqsongs/
Instagram:https://www.instagram.com/tariqmusiq/

Good Service cover

Good Service

Noah Fardon (Good Service) was born in Nashville in 1994 and raised in an old stone house west of town. When not in school – a very traditional, all-male, former military academy where football will always reign supreme – he sought creative and conversational freedom and inspiration each day on the front porch of a nearby coffee shop that was a main haunt for prophetically deep thinkers, brilliantly singular personalities, and artists of all mediums and ages. Buoyed by their passion and the atmosphere of encouragement, he took his limited musical chops out of the shower, where they’d long been waging a losing battle against Hamilton Leithauser, picked up a guitar (and a guitar teacher) and started a band. Things went well for a few years, and then faded away as we all found new places to call home.

Fardon then moved to midcoast Maine in 2012 and, after a few years translating Ancient Greek, decamped to nearby Portland, into a repurposed laundry facility owned by a mustachioed, Twizzler-hoarding, self-proclaimed pirate. There, he set up shop in a 9’ X 7’ wooden box (sawdust on the paint-stained concrete; it had most recently been a carpenter’s workspace) that occupied one corner of a large white-walled room (now the New System Exhibitions gallery space). Fardon spent the next two years writing and recording in musical and spatial isolation, aiming to see if, in so doing, he couldn’t shed some habits that had begun to make the whole thing feel stale.

Please is the result of that effort; alternately sweet and unsettling, it is a wonderfully strange and engrossing thirty-one minutes, thematically informed and contextualized by Good’s sudden need to reckon with a rapidly unwinding perspective on mortality in light of his grandmother’s terminal diagnosis and subsequent passing a year and a half later. As the album’s bookends, “And a Foot” and “The End,” are also its most direct confrontations with death, each peeling through varying layers of anxiety, regret and despair to uncover the beauty and lightness hidden deep within the folds: that necessary inspiration to trudge on, to be patient, to choose to accept life. “And a Foot” settles hesitantly though encouragingly on a plan to turn things around: “Twenty-three, obsessed with death, regretful of the only love I’ve left, I smoke as much as fills my chest, but I’m trying to get right again.”

And yet, as the album plays out, Good’s resolve to choose and cherish life is subsumed by an inability to breach the sea of distractions – those much more immediate and prescient than mortality – that all but defines the restless sprawl of each day. Meaningful commiseration becomes tied in with increasingly unhealthy patterns of substance use that demand nonetheless occasionally still feel effective and revelatory (“Summer Muses”/ “MaPaw”); a love lost years before, now distant in time and space, creeps its way into a new start in a new city (“Washington Avenue”), cutting through the din of social life and the current of a budding romance with the sharp edge of vivid memory (“94”). By “The End,” Good, having lost family and friends alike to whatever it is that comes next, has grown more fully aware of the way mortality manifests in even the smallest windows of time, and embraces this unearthed truth reluctantly: there is no linear path to follow, only cycles of birth, death, and rebirth, that we must repeatedly opt into as we discover who we are before we simply are no more (“If now were the end, it wouldn’t get to me much; I feel so spent, though I know we’ve only just begun). But it is not the end. Good Service is a beginning.

What you will hear within first had to pass through the hands of his trusted, capable, and generous friends, Vaughn Hunt (additional recording; synthesizers) and Jamie Joyce (drums), and then through those of Roger Moutenot (additional recording; mixing), who brought a true sense of life and identity to this music — without him this record would simply not be what it is.

There’s so much more: a desperate and defeated return to Nashville; a New Jersey cemetery swelling under the billowing and pulpy heat of a midday in August; the misidentified shallot that brought him closer to Springsteen’s quiet side and the notion of chosen family; two deceptively quiet brushes with death in the sap and sweat of a New Orleans predawn; eight cats, a puppy, three drunk infants, “customer is king,” orange kouign amanns and spelt ciabatta…If you want to know any of it…just ask!


Photos: Henry Austin


Instagram

Press Contact: Email Bill Benson at Team Clermont

Radio Contact: Email Nelson Wells & Adam at Team Clermont
Team Clermont Twitter
© 2019
Team Clermont
Athens, Georgia

Xuan4 by Casey Pickard

Girl Underground Music Debuts Xuan Single

As Xuan releases her first single “We Were Just Talking” from her up-and-coming album Have Some Fun on November 16th, Girl Underground Music jumped on the opportunity to premiere and review the indie-pop track.

About the new single Girl Underground Music writer, Janette Ayub, says “Delightfully opening with innocent banter and magical synths, “We Were Just Talking” is the epitome of inner dialogue and wishful thinking when merely talking to a crush. Fluorescent tempo switches dance alongside Xuan’s joyous, yet sotto voce delivery, sweetly nestled between jangle-pop guitar chords. Primal drumming provide a simplistic approach, allowing a centered focus on Xuan’s story. Adding a touch of college rock, the track is an adolescent ode smothered in pop.”

You can read more about Girl Underground Music’s review and premiere here!

CMJ-FLYER-cropper

Team Clermont music @ CMJ And Top awards Nominations!

Team Clermont be heading to CMJ Music conference in New York tomorrow, and catching our bands while we’re in the Big Apple! If you want to see the official showcases of our artists, be sure to check the list below!

Also, we have been nominated for several top music pr and promotion awards this year including Promotion Company Of The Year, Promoter Of The Year, Best Use Of The Web, Holy Sh*t Their Records Are Awesome!, Biggest Ray Of Sunshine, Most Sincere, and Best PR Mentor, so please wish us luck! And Shil Patel in our radio promotion department will be moderating a radio promotion panel at 10AM featuring panelists from Bearcast Radio, Radio K (KUOM) and KXLU!

Official CMJ Showcases

Tuesday, October 20
09:00PM – Kaisercartel – Living Room (154 Ludlow St)
09:00PM – Western Civ – Kenny’s Castaways (157 Bleecker St)
09:05PM – Eprhyme – S.O.B.‘s (204 Varick St)

Wednesday, October 21
12:15AM – Hooray For Earth – Crash Mansion Downstairs (199 Bowery)
07:00PM – Tenderhooks – Spike Hill (184 Bedford Ave)
07:45PM – The Boy Bathing – Local 269 (269 E. Houston St)
08:00PM – Hermit Thrushes – Charleston (174 Bedford Ave)
08:00PM – Javelin – Mercury Lounge (217 E. Houston St)
09:00PM – Blair – Alphabet Lounge (104 Avenue C)
09:30PM – Dead Heart Bloom – Bruar Falls (245 Grand St)
10:00PM – Bosque Brown – Local 269 (269 E. Houston St)
10:15PM – Modern Skirts – Crash Mansion Downstairs (199 Bowery)
10:15PM – Renminbi – Lit Lounge (93 2nd Ave)
11:30PM – Alina Simone – Living Room (154 Ludlow St)
11:30PM – William F. Gibbs – Local 269 (269 E. Houston St)
11:45PM – Arizona – Fat Baby (112 Rivington St)

Thursday, October 22
07:00PM – Loxsly – Union Hall (702 Union St)
07:00PM – Otter Petter – Kenny’s Castaways (157 Bleecker St)
07:30PM – Eprhyme – Drom (85 Avenue A)
08:00PM – Antarctic – Lit Lounge (93 2nd Ave)
08:45PM – The Bronzed Chorus – Lit Lounge (93 2nd Ave)
09:00PM – Regia – Local 269 (269 E. Houston St)
09:30PM – Ho-ag – Lit Lounge (93 2nd Ave)
10:15PM – Cinemechanica – Lit Lounge (93 2nd Ave)

Friday, October 23
07:00PM – Spring Tigers – Lit Lounge (93 2nd Ave)
07:45PM – The Lovely Feathers – Fat Baby (112 Rivington St)
08:00PM – Hi Red Center – Lit Lounge (93 2nd Ave)
09:00PM – Peggy Sue – Lit Lounge (93 2nd Ave)
10:00PM – Helado Negro – Lit Lounge (93 2nd Ave)
10:00PM – We Landed On The Moon! – Kenny’s Castaways (157 Bleecker St)
11:00PM – Bear In Heaven – Lit Lounge (93 2nd Ave)
11:00PM – Lost In The Trees – Living Room (154 Ludlow St)

Saturday, October 24
06:00PM – Benyaro – Rockwood Music Hall (196 Allen St)
08:00PM – The Elusive Parallelograms – Arlene’s Grocery (95 Stanton St)
09:00PM – Yukon Blonde – Ace Of Clubs (9 Great Jones St)
10:00PM – Loxsly – Spike Hill (184 Bedford Ave)
10:00PM – My Teenage Stride – Delancey (168 Delancey St)
12:00AM – Javelin – Santos Party House (96 Lafayette)
01:00AM – Terror Pigeon Dance Revolt – Santos Party House (96 Lafayette)

Music Lovers - Cropper

Music Lovers Video "Saturday"

San Fransisco’s The Music Lovers make tunes heavily influenced by the works of Serge Gainsbourg, Godard, and 60s pop. It is no surprise that the video for “Saturday,” off of their killer new album Masculine Feminine would weigh in on those influences as well. The video is loaded with hot cars, sultry ladies lounging by the pool, and more split screens than five Woodstocks. Check it out!

Like Us on Facebook Follow Us On Twitter! Subscribe to The Cropper!

About The Cropper!

A blog featuring #indie music, news, interviews, & the best darn songs west of Stockholm

Music Submissions - Send us your songs

The Cropper! accepts music submissions of all kinds. Though we cannot guarantee write-ups, we eagerly anticipate hearing, writing about and discovering new, unsigned, and exciting artists. Submit your music now. Thanks!

Here's to 20 Years of Team Clermont artists & bands. Thank you all!

We surely couldn’t have made it 20 years without all of you, our artists.
See our full roster, the whole list of the 2,238 artists, singers, bands and true creatives we’ve had the privilege of working with so far during our company’s (first) 20-year history. – with love from co-founders Nelson Wells and Bill Benson

Search The Archives

To search the site, type your search term above and hit enter

Monthly Archives

Cropper V.1.0

Recent Posts

Tags